Mamey is composed like a living color field. Layers open outward in softened rings, where mamey orange, coral, sage, and sand meet, separate, and meet again, giving the surface a quiet sense of motion.

A freeform silhouette guides the eye and the hand. Nothing is repeated. Everything moves with the ease of a river bend. Made to order, the rug wraps a space in a private landscape that feels both sculptural and painterly.

It becomes the room’s signature, a warm refuge of color.

Likuid begins with a composition of rounded forms and saturated tones, arranged like a visual current rather than a fixed pattern. Circles, elongated shapes, and open fields create a rhythm that moves across the surface, giving the rug a graphic energy of its own.

In the atelier, each chromatic area is worked separately so the edges remain clear, the contours stay precise, and the transitions between tones keep their intended tension.

The result is not decorative color placed on wool. It is color as structure: a tactile field where shape, rhythm, and surface become the language of the rug.

Ikona begins as a symbolic composition where time, body, love, fluidity, and blobism come together on a single textile surface.

Built through layers of color, curved contours, and overlapping areas, the rug preserves the graphic strength of the original design while giving the wool its own warmth and material presence.

Here, the icon moves beyond image and becomes object: a sculptural rug conceived to inhabit space through symbol, color, and matter.